OF AL EINGANG
1992 Adult Video News Gay Video Awards nominee
in the "Best Solo Performance" category
APPROX. 1 HOUR, 20 MINUTES, 1992 REVIEW: Al Eingang, the phenomenal auto-fellationist
of A Young Man From Nantucket and Self-Sufficient, has recently
released the third in his series of home movies demonstrating his unparalleled
gift for self-suck. It is called Because He Can, an obvious reference
to the old joke that answers the question, "Why is a dog always licking
his own cock?"
Indeed, Eingang (who has neglected to bill himself or anyone else
connected with this production) can lick his own seven- or eight-incher,
and in the years since he first began to share his skills with the video-viewing
audience, he has obviously put in a great many hours of practice, for
he has come closer and closer to deep-throating himself with each successive
production, and here at last he proves able to devour himself completely--
all the way down to the base of his own tall, thick shaft.
Divided into four not-dissimilar segments, Because He Can
is strictly a one-man show from start to finish, but if you are fascinated
by the art of auto-fellatio, these vignettes include truly amazing footage.
In the first sequence, Eingang fucks himself with an oversized dildo as
big as a baseball bat and trusses up his pendulous balls with a leather
strap, alternately gobbling his plum-topped erection and jacking off in
a rumpled bed.
The second episode is set in a garage or workroom where the youthful,
double-jointed star is found sitting against a rude wooden ladder, doing
his thing as an unbilled still photographer snaps photos. After
warming up in sitting and standing positions, Eingang ultimately lies
on his back, throws his heels over his head, braces them on the rungs
of the ladder, and sets about to facefuck himself. He drills his
cock into his own mouth (and throat) with hard, rocking thrusts until
he totally deep-throats himself, then pulls out to pour an overflowing
stream of semen between his waiting lips.
The third sequence, set in a black limbo, includes a bit of ball-licking
and a great deal of tit-play before he again begins to facefuck himself,
even more energetically than before. As always, he drops a copious
load, and in many ways this is the most all-consuming performance of the
The concluding sequence finds Eingang once again in his bed, and
includes some unusual top shots before his unbelievable orgasm-- during
which he sucks himself between each spurt, but always removes his cock
from his mouth to let the camera record each voluminous volley.
Such control is a sight to behold.
Because He Can is similar in style, action, and approach to
Eingang's earlier videos, only improving on what he has done before.
The production values remain virtually nil, the lighting is often harsh
or murky, and the intermittent musical background is as vaguely Oriental
as ever-- but while the videography is still often clumsy, whoever shoots
his films has certainly learned to capture his performance from all the
right angles, often in amazingly tight close-ups. And here, three
of the four money shots are presented twice, first in a medium shot, and
then via instant replay in tight close-up
In Because He Can, Al Eingang once again proves himself to
be role model, patron saint, and object of envy for all would be auto-fellationists.